Barrut + Le Diable Dégoûtant

In partnership with Panotii Cantii

Barrut

Occitan Polyphonies

Seven voices from the northern shores of the Mediterranean, blending polyphonic singing with powerful percussive rhythms: BARRUT draws its passion and defiance from music that soars above the madness of the world, bridging Occitan traditions and contemporary music. The septet is here to present its new repertoire, CONTRA-FUÒCS, fuelled by rock, neo-classical and cinematic influences, oscillating between moments of suspended tension and raw intensity.

Le Diable Dégoûtant

With her songs that would make even vermin dance, Pauline Marx draws on chthonic rhythms and fermented sounds to create music full of collages and clashes. Borrowed from traditional music, updated on the sampler; goat-skin drums sequenced without quantisation; ancient antiphons serving as pop songs hidden beneath the granite of the Breton moors; choruses gleaned and hummed for you and us for ages (by candlelight!); lo-fi sound straight from the depths of the potion cauldron: the Disgusting Devil knows how to summon the unconquered power of catchy tunes and spellbinding words… we’ll end up going all out pagan again!

If you like: La Mòssa, Jericho, Brighde Chaimbeul, Bourrasque, Marion Cousin, Cocanha, Arlt, Adiciatz

friday 11 september 202621h00
Grande Scène
TERRACE OPENS AT 6 PM
BAR & LIGHT BITES
8/14/16€

BARRUT

Occitan Polyphonieswith Erwan Billon, Titouan Billon, Delphine Grellier, Olivier Grolleau, Samuel Grolleau, Audrey Hoyuelos and Jordi Cantagrill Three female singers, four male singers and a percussionist from the northern shores of the Mediterranean make up BARRUT, an ensemble devoted to Occitan polyphony. Their seven voices blend in subtle harmonies and powerful emotional expression, drawing on […]

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Le Diable Dégoûtant

With her songs that would make even vermin dance, Pauline Marx draws on chthonic rhythms and fermented sounds to create music full of collages and clashes. Borrowed from traditional music, updated on the sampler; goat-skin drums sequenced without quantisation; ancient antiphons serving as pop songs hidden beneath the granite of the Breton moors; choruses gleaned […]

Read more